Fruit Moon
Dale Going
… he commands the stage from the moment he looks over his shoulder:
a thousand sorrows are written on his face.
Anna Kisselgoff, “Villella Returns to ‘Water Mill,’ A Robbins
Meditation on Time,” The New York Times, 6.14.1990
yellow grasses and that
silverflake fishscale blue shimmer of moonrise
sky starry as fireflies in August grain
as rhinestones on ribbon as headlights in traffic’s watery roar
moonlight spread with a butterknife
yellow on a pewter plate
yellow on a nippon plate
with lusterware glaze
Edward Villella danced Watermill that
sultry seventies summer to desultory crowds it was
so still
(he barely
moved)
precise ephemeris
of fruit moon
Edward Villella danced Watermill this
summer oh God my mother said not again that
awful thing
the reviews said he was at 53
masterful
work of a master what he'd done young now
stillness of one
who understood his moving
toward death
(my father
dead at 53)
Edward Villella I wanted to dance with you
perfect
broken bones and bony nose back hips metal plates
raw piercing intensity
you never not in pain
the fruit's the moon
orange grove focus of a mythic California
where a future I
will once have lived
shucked gold forest snap
lamplighter glow semiprecious
gazing ball
in summerlovecrush with
Edward Villella that
first Watermill night
driving home in your father's car past cornfields
fruit moon sky rouged
and soundproof
we were nineteen
we saw
the sky change
gray white silent wavy
not knowing what it was
you my first love said you were leaving
radio captured static I kept thinking
if only I could hear a song to remind of this night forever
witnessing for the first time
aurora borealis
an unexpected grisaille not rainbow luminescence
static/electric
as Edward Villella in Watermill
we drifting
past
slow motion fields
thinking the world was
coming
to an end
Dale Going's new books are The Beautiful Language of Our Disaster (Codhill Press 2025, selected for publication as their Guest Editor Award) and For the Anniversaries of All Loving Kinds of Meetings (Albion Books, 2025). Her collaboration with collage artist Marie Carbone was a finalist for Fence Books’ 2025 Ottoline Prize. Author of three poetry collections and several chapbooks and artist’s books, recent journal publications include Annulet, BlazeVOX, Interim, New American Writing, Posit, VOLT, Wild Roof Journal, and others. She lives with disability in New York City, after a previous lifetime in Northern California. https://linktr.ee/dalegoing